Broadcast & Cinema Redefined
SHOTOVER G1
Introducing the next evolution in stability and functionality with the upgraded SHOTOVER G1, now with 4 times the torque improvement and highly efficient cooling, ensuring top-notch performance even in the most demanding filming environments. This cutting-edge 3-axis gyro-stabilized camera system is designed to revolutionize cinematic and broadcasting needs. Effortlessly adapt to diverse scenarios using an open platform design that allows customized payloads. The G1 excels in high-speed action and sports filming while ensuring seamless mounting on moving platforms like tracking vehicles and cranes.
Enhance your creative potential in both filmmaking and broadcasting with the SHOTOVER G1 – reshape storytelling and explore new horizons.
G1 High Torque
Ready to shoot at higher speeds with unmatched stability? SHOTOVER G1 High Torque is your answer.
Watch our friends at Reelfactory put it to the ultimate test chasing Red Bull's Mad Mike Whiddett around Hampton Downs. The verdict? The G1 High Torque exceeds all expectations for high-speed filming needs.
G1 Features
Gyro-Stabilization:
Ensures stability for seamless shots
Wireless Video Option:
Downlink for real-time monitoring
SHOTOVER FI+Z Integration:
Lens motors for precise control
Versatile Components:
Supports diverse camera and lens setups
Remote Control:
Compatible with RED, Arri, Sony, Canon, Phantom
Compact Portability:
Cost-effective transport as freight or baggage
No ITAR Restrictions:
No ITAR, EAR licenses needed
Film Industry Integration:
Seamlessly fits existing setups
Advanced Balancing:
Ensures stable operation
Unshakable Stability:
Ultimate functionality for precise shots
Advanced Steering:
Auto or steerable horizon options
Wired/Wireless Control:
Choose your preferred method
Open Platform Design:
Integrates new cameras and lenses
System Specifications
STABILIZATION
3-axis
High performance non-ITAR sensors
Distributed multi-processor closed loop servo control system
Proprietary gimbal control algorithms
GIMBAL FIELD OF VIEW
Pan: 360 degrees continuous
Tilt: +54 to -99
Roll: +/- 65
Max slew rate: 100 deg/sec
DATA / COMMUNICATION
CAN Bus
RS 232 Serial Bus
RS 422 Serial Bus
Ethernet
Long Range Radio Link (optional)
WEIGHT
Gimbal - 8.8kg (19.4lbs.)
Max payload – see chart for combination options
POWER
Input Range: 20-60v DC
Consumption: 960W (MAX)
ENVIRONMENTAL
Operating Temperature: -20 to +50 C / -4 to 122 F
Weather resistant (Gimbal Only)
GIMBAL OPERATOR CONTROL UNIT
Input Range: 10-60v DC
Power Output: Dual 4pin XLR
Overlay available via Small-HD monitor only
Camera remote integration (Sony, Canon, Arri, Phantom)
OPTIONS
Remote controlled rotating polarizer
Cone Mount
Hand control wheels
165mm wheel size upgrade
HDC expansion kit
Long range radio
G1 Cinema Camera & Lens Compatibility
Angenieux Optimo 15-40 |
Angenieux Optimo 28-76 |
Angenieux EZ-2 Series |
Angenieux 45-120 |
Canon CN7 |
Canon CN8 |
Canon CN10 |
Canon CN20** |
Canon EF Primes |
Canon Cinema EOS Primes |
Cooke Primes |
Fujinon Cabrio 19-90 |
Fujinon Cabrio 20-120 |
Fujinon Cabrio 85-300 |
Fujinon Premista Range |
Leica Summicron Series |
Leica Summilux-C Range |
Zeiss Master Primes |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Arri Alexa / LF* | ||||||||||||||||||
| Arri Mini / Mini LF | ||||||||||||||||||
| Canon Cinema EOS | ||||||||||||||||||
| RED DSMC 1 & 2 | ||||||||||||||||||
| RED V-Raptor | ||||||||||||||||||
| RED Komodo / XL | ||||||||||||||||||
| SONY FS7 | ||||||||||||||||||
| SONY F55 |
G1 Broadcast Camera & Lens Compatibility
|
Canon HJ Series up to 24x
|
Canon CJ Series up to 24x
|
Fujinon HA Series up to 24x
|
Fujinon UA Series up to 24x
|
|
|---|---|---|---|---|
| Blackmagic URSA Mini Pro | ||||
| Hitachi 4440 | ||||
| Grass Valley LDX | ||||
| Grass Valley LDX Compact | ||||
| Ikegami F4000 | ||||
| NEC | ||||
| Panasonic | ||||
| SONY P Series | ||||
| SONY HDC Series |
* Alexa Fullsize Camera requires widebody accessory kit (Tripod "PTZ" mode only)
** Canon CN20 can only be used in PTZ/Tripod Mode without stabilisation due to payload size
Please note cameras and lenses not included. This list is not all inclusive.
Please contact [email protected] for additional combinations.
The SHOTOVER G1 has been an essential piece of gear for me while on location. I have been using the G1 every day for the past 90 days nonstop, 14 hours a day with no errors or faults
Contact Request
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